In my fantasy version of summer, I am sitting on a beach, a pile of books at my side. I know, some people would prefer water skiing or rock climbing, or hiking or scuba diving or riding horses. Go on, you go have fun; I'll be here reading. It's my perfect summer vacation.

This summer what I want are the true stories of ladies who lived bold lives, who were ahead of their time. Here are a few that have fallen through the cracks of history and are ready to be rediscovered.

* * *

Gertrude Bell was born in the north of England in 1868 into a family of wealthy industrialists. She was presented at court in 1889 but soon went abroad. She visited Europe, as was common, and Persia, which was less so. During her life, she traveled around the world -- twice -- but left her heart in the Middle East. She spoke eight languages, including Persian and Arabic, and trekked across the desert with camels and guides, gifts for the sheikhs she met and cameras to photograph (with huge glass slides) her archaeological discoveries.

In "A Woman in Arabia: The Writings of the Queen of the Desert" (Penguin Classics, $17 paper, out Aug. 11) editor Georgina Howell organizes and explains excerpts of Bell's voluminous correspondence and diaries to shape our understanding of her curiosities, romances, hazardous journeys and, above all, to frame her actions in the complex political maneuverings that established modern Iraq. Assigned to the Cairo intelligence office in 1915, Bell served as a spy but advocated for local autonomy and argued that schools and hospitals "provided a more convincing form of propaganda than any which could have been invented by the most eloquent preacher or most skillful pamphleteer." She preceded T.E. Lawrence (of "Lawrence of Arabia" fame) to the Middle East by about a decade, but her story has been overshadowed by his -- though it will finally come to the big screen this fall, with Nicole Kidman playing Bell in Werner Herzog's "Queen of the Desert."

* * *

Linda Rosenkrantz didn't go nearly as far from home as Bell, but she was adventurous. In 1965, she and her two best friends went from New York to East Hampton with their bathing suits, a supply of gin and Linda's tape recorder. Linda recorded their conversations and turned them into "Talk" (New York Review Books Classics, $14.95 paper). Published in 1968 as fiction, the book is told in dialogue only, as "Marsha" and "Emily" (both straight) and "Vincent" (gay) flirt, gossip, eat, drink, sunbathe, and discuss art and drugs and one another.

advertisement | advertise on newsday

They talk about their relationships and affairs, expose painful histories and play the would-you-rather game. In many ways, Rosenkrantz and her friends are living a hippie lifestyle but they approach it as creative intellectuals. As on the television show "Girls," there's a realness to the way they relate to one another and the world, young people who grow so close in their efforts to define themselves as adults that they seem inseparable yet also destined to grow apart. There is something special about their summer, which feels, by the end of the book, that it could never be repeated.

* * *

Someone who never ducked the spotlight was Ultra Violet, the artist and Andy Warhol film star. "My rebellion is getting attention from the press and I love it. . . . If need be I'll be crazier than the others, bolder, more daring, to keep eyes and cameras focused on me, me, me," she writes in her memoir "Famous for 15 Minutes: My Years With Andy Warhol" (Open Road Media, $14.99 ebook). The book was originally published in 1988, after Warhol had died and when Violet -- born Isabelle Collin Dufresne, a French Catholic -- had become a Mormon, so she sometimes vents a wry perspective on the narcissism and mad indulgences of Warhol's world.

But she also remembers it as a fun, fun, fun, creatively electric time. She channels Warhol's blank deadpan perfectly, sums up his hangers-on in biting vignettes and captures scene after scene of naked bodies, half-drugged characters and their outrageous stories at the original 1963 to '67 Factory. Violet is so fascinated by Warhol that she tries seducing him -- he flees, terrified -- and she portrays his enigmatic magnetism, surrounded by his crew of hangers-on, enablers, casualties and stars.

There are cameos, of course, by Bob Dylan, Truman Capote and John Lennon. Violet wouldn't miss an opportunity to name-drop.