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'Game Change': Review
If you missed Newsday's review of "Game Change" in last Sunday's "Fanfare," here it is again (on the jump). Bottom line: Julianne Moore is excellent. Never a caricature or parody, she clearly has genuine empathy for her subject. This isn't a slash-and-burn portrait, by any means, but largely sympathetic. OK, she doesn't know what the Fed does, but - scheesh - who does?! Palin actually comes out looking pretty good in Moore's capable hands. Charismatic, shrewd, and principled, she may not know much about the world -- all reported in "Game Change" -- but she works to learn (and sometimes doesn't, but that's another story that's told here). Danny Strong's script in fact is more critical of John McCain's advisers than it is of Palin herself. They're seen as grasping political operatives who cynically plucked Palin out of obscurity to address their candidate's own shortcomings. They're the ones who should be really mad at "Game Change."
"Game Change "
WHEN | WHERE March 10 at 9 p.m. on HBO
WHAT IT'S ABOUT First came the 2008 campaign, then John Heilemann and Mark Halperin's 2010 book, and now the movie from Jay Roach ("Recount"), which covers only the Republican ticket. The movie opens in 2007. Sen. John McCain (Ed Harris) is morose: The media have turned on him and Democrat front-runner Barack Obama is a superstar. "Stevie boy," says would-be GOP presidential candidate McCain in a call to old friend and strategist Steve Schmidt (Woody Harrelson), "would you consider joining this, even for a few weeks?" A year later, Schmidt has joined the campaign, McCain has rebounded and earned his party's nomination. But there's still a gender gap -- many women simply won't vote for him. So his campaign manager Googles possible female running mates. How about Alaska's governor Sarah Palin (Julianne Moore)? She is hastily vetted -- so hastily that no one bothers to ask her if she knows what the Fed is or who runs the British government, the queen or the prime minister? They will find out soon enough.
MY SAY There's a scene midway in this movie where Palin is getting prepped by Schmidt and his team, as though she's a kid with a learning disability. A synth tracks in a long, low, minor key as the camera plays across her face: Eyes clouded, mouth drooping, face sullen, Palin looks lost and alone. A scene meant to ridicule? Or elicit pity? Neither: A scene designed to humanize. There are many throughout this film. "Game Change" isn't a parody -- some extended Tina Fey skit -- nor a hatchet job. It's a portrait; and, while I can't attest to its fairness (Palin supporters have already attacked the film), I can attest to Moore's performance, which is superb. The Palin that emerges here has dimension and humanity; when you cut her, she bleeds. She yells when she gets angry, gets lonely, feels lost, and finds solace in the most important people in her life: her family. She is also deeply loyal to McCain, though he is less so to her, at times. Yes, she has occasional Captain Queeg moments, especially when she senses that Schmidt and his team have turned on her. There's a Norma Desmond "I AM big -- it's the pictures that got small" -- hauteur, too, when her star rises. But those pass. What remains is a fully realized person. Palin supporters may hate it, but Palin should send Roach and his team a dozen roses.
BOTTOM LINE A luminous and fully alive portrait by a first-rate actress.