The China Institute Gallery in Manhattan has been transformed into an ancient cave, taking visitors back more than a millennium to a dazzling world where Buddhist worshipers adorned the walls with colorful frescoes, silk prayer banners and lavishly painted life-size clay sculptures.
"Dunhuang: Buddhist Art at the Gateway of the Silk Road" features a replica of an 8th-century cave carved into the limestone cliffs at the edge of the Gobi Desert southeast of the oasis town of Dunhuang from 366 to about 1300.
It is one of 735 Mogao Caves constructed during what is known as the high Tang period (705-781), designed for devout Buddhists to gather and worship. Nearly every inch is covered in art, with a canopy ceiling resplendent in floral and diamond shapes.
One end is filled with life-size sculptures of a Buddha flanked by two monk disciples wearing luxuriously patterned robes, two bare-chested figures and two ferocious-looking guardians in military armor.
While there have been exhibitions that have featured individual pieces from the Mogao Caves, this is the first exhibition in the United States to put all the elements of the cave shrines into context, said Annette Juliano, a professor of Chinese art history at Rutgers University.
It shows the "relationship between the architecture, the pictures, the subject matter and the [ritual] practices . . . the actual use of the cave, rather than just an abstraction," added Juliano, who visited the caves for the first time in 1980.
Many of the caves are exquisitely preserved, but others are fragile because of neglect over the centuries. To protect them from further erosion, tourist access is limited to several dozen caves a day that are rotated regularly.
The exhibition also features a 6th-century replica of an elaborate square altar called the Central Stupa Pillar that highlights the religious ritual of circumambulation -- an act of veneration -- in which the faithful walk clockwise around the altar that contains four niches, each holding a Buddha.
"Walking around the stupa pillar helps to empty your mind to allow visualization, to focus on the images of the Buddhas," said Juliano, who contributed an essay to the exhibition catalog.
Exact, hand-painted reproductions of wall motifs and story scenes complete the exhibition space in this gallery. Among the highlights is a Thousand Buddha pattern that covers an entire wall and is symbolic of the deity's omnipresence. Among the narrative paintings is the tale of the Deer King and his journey toward enlightenment.
Authentic silk prayer banners, a handwritten Buddhist scripture in near mint condition, a Yuan dynasty fragment of a mathematical document, small clay figurines, Persian silver coins that bear witness to foreign travelers on the Silk Road, patterned floor tiles and oil lamps used to light the dark caves round out the small two-gallery exhibition.
The Mogao Cave shrines, declared a UNESCO World Heritage Site in 1987, were largely unknown in the West until they were discovered in 1900 by a Hungarian archaeologist, Sir Aurel Stein.
The exhibition, organized by the Dunhuang Academy, runs through July 21. A second exhibition in the fall will focus on paintings and sculptures by contemporary artists inspired by the caves.