Theater Review: 'Vanya and Sonia and Masha and Spike' -- 4 stars

Sigourney Weaver, right, during a performance of "Vanya

Sigourney Weaver, right, during a performance of "Vanya and Sonia and Masha and Spike" (Credit: Sigourney Weaver, right, during a performance of "Vanya and Sonia and Masha and Spike" )

Vanya and Sonia and Masha and Spike
4 stars

On the heels of a new Off-Broadway production of "Ivanov," Chekhov's first and least-known drama, Lincoln Center Theater has premiered Christopher Durang's absolutely masterful, thoroughly enjoyable new comedy "Vanya and Sonia and Masha and Spike," which transports Chekhov's characters and themes into the present day.

Set around a country house in Bucks County, Pa., Vanya (David Hyde Pierce) and Sonia (Kristine Nielsen) are a brother and sister who have spent their adult lives at home to take care of their parents, who recently passed away after prolonged illness, while their sibling Masha (Sigourney Weaver) went on to become a major film star.

On this particular day, Masha has unexpectedly returned, bringing along her young and dumb boy toy Spike (Billy Magnussen). When Masha reveals that she plans to sell the family home, Vanya and Sonia come to the realization that they have wasted their lives.

An interesting subplot involves Nina (Genevieve Angelson), a naive girl who lives next door and longs to become an actress. With her encouragement, Vanya pulls out an avant-garde play he's been working on.

Sonia, buoyed by an invitation to attend a nearby society party (where she recklessly impersonates Maggie Smith), starts to gain some confidence and even lands a date.

Staged with finesse by Nicholas Martin, Durang's play goes beyond being a parody or a simple homage through sympathetic character explorations mixed with absolutely uproarious comedy. Unlike Chekhov, this actually ends on a hopeful, even happy note.

Weaver plays up the diva side of her character to gleeful perfection, while Nielsen is genuinely moving as a hermit finally coming out of her shell.

Pierce, who spends most of the show in a fairly restrained mood, erupts into a lengthy harangue where he longs for the simplicity of his childhood and declares war on the younger generation. While the monologue is somewhat out of place, it is admittedly too funny to omit from the play.


If you go: "Vanya and Sonia and Masha and Spike" plays at the Mitzi E. Newhouse Theater through Jan. 13. 150 W. 65th St., 212-889-4300, lct.org.

Tags: ENTERTAINMENT , THEATER REVIEW , MATT WINDMAN

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