Osvaldo Golijov
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Review: St. Lawrence String Quartet conjures Golijovian magic
to be done about Osvaldo Golijov other than wait? Probably nothing. His "Qohelet," which the St. Lawrence String Quartet played at Irvine Barclay Theatre on Sunday afternoon, had its first performance at Stanford University in 2011. The score was different from Los Angeles Times Read more »
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Music Review: Osvaldo Golijov’s ‘Pasión Según San Marcos’ at Carnegie Hall
has explored diverse contemporary styles. For me the most musically involving sections of this work are those in which Mr. Golijov draws upon elements of Western classical heritage, as in the mesmerizing “Lúa Descolorida” (“Colorless Moon”), which describes from The New York Times Music Read more »
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Passion Story for a New Generation
Pia Catton When composer Osvaldo Golijov's groundbreaking work "La Pasión según San Marcos"—a choral telling of the last days of Jesus using Latin American rhythm and movement—came to Lincoln Center in 2006, it caused a sensation that vaulted the Argentina-born from Wall Street Journal Read more »
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'Ainadamar' review: Uncommonly vivacious
thing about the latest offering from the ever-venturesome Opera Parallèle - a sumptuous and vividly sung production of Osvaldo Golijov 's "Ainadamar" that had a three-performance run over the weekend at the Yerba Buena Center for the Arts - was how much it from San Francisco Chronicle Read more »
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Review: Osvaldo Golijov and David Henry Hwang's 'Ainadamar' at Opera Parallèle
stunning, with its dream-like video projections and steamy flamenco dancing. That's Opera Parallèle's new production of Osvaldo Golijov's "Ainadamar" ("Fountain of Tears"), which opened Friday for a short run at the Yerba Buena Center for the Arts' Lam Research from Inside Bay Area Read more »
