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Chris Pine, Zachary Quinto: The voyage of 2 'Star Trek' stars

From left, Zachary Quinto and Chris Pine star

From left, Zachary Quinto and Chris Pine star in Paramount Pictures' "Star Trek: Into Darkness," directed by J.J. Abrams. Photo Credit: Paramount Pictures

"Star Trek" has always been about more than a spaceship crew hurtling through the cosmos -- over the decades, the sci-fi series in all its forms has tackled earthly issues such as race, gender and the Vietnam War.

When it comes to shining a spotlight on contemporary conflicts, the film and television franchise's newest entry, "Star Trek Into Darkness," is no exception.

The movie directed by J.J. Abrams and written by Alex Kurtzman, Damon Lindelof and Roberto Orci, "Into Darkness," which opened yesterday, features the return of Capt. Kirk (Chris Pine), Mr. Spock (Zachary Quinto) and the rest of the USS Enterprise crew, as they face a new villain, John Harrison (Benedict Cumberbatch).

As with so much in the fictional worlds Abrams creates ("Lost," "Super 8"), many details around the movie have been cloaked in mystery, including the true identity of Cumberbatch's character. But on a breezy afternoon in March, on the roof of a Hollywood photo studio, Pine and Quinto shared insight into John Harrison -- and the movie's present-day parallels.

"This film is about Earthbound terror," said Pine, speaking weeks before the real-life bombing at the Boston Marathon. "It's about terrorism, about issues we as human beings in 2013 deal with every day, about the exploitation of fear to take advantage of a population, about physical violence and destruction but also psychological manipulation. John Harrison is a terrorist in the mold of those we've become accustomed to in this day and age."

Much of the humanity in Abrams' 2009 "Star Trek" origins movie, the 11th film in the franchise, came from the rivalry and ultimately the friendship that developed between reckless young Kirk and analytical young Spock.

"In this movie, Kirk really needs to learn how to be a captain, not just sit in the captain's chair, and Spock needs to learn how to be a friend, not just be accountable and reliable and responsible," Quinto said. "In the first movie, it was about all of us coming together, unifying to defeat an enemy. This movie is more about the way an enemy splits us apart. We have to divide in order to conquer in this film."

In conversation, Pine and Quinto share an easy affinity -- when Pine noted they had been able to avoid being typecast despite playing such memorable characters, Quinto raised his eyebrows. "This from the guy who doesn't have to wear pointy ears," he said.

Over the years, Pine and Quinto's off-screen friendship has helped them establish an on- screen rapport -- the two met before they were cast in "Star Trek," at an event writer-producer Norman Lear organized to showcase his copy of the Declaration of Independence. "I remember feeling, as I got to know Chris more, so impressed by his intelligence, which isn't always the case with such a traditional leading man," Quinto said. "I remember being pleasantly, not surprised, but. . . . "

"You thought I was just a dumb blond," Pine interrupted. "Actually, I have many more Spockian qualities than I do Kirkian qualities. We were two peas in a pod," he said of Quinto, "in that we think about things way more than we should. We analyze."



In his three-star review of "Star Trek Into Darkness," which ran in Wednesday's newspaper, Newsday critic Rafer Guzmán called the movie "fast and fun." (Read the review at

Here's what four other critics had to say:

*A note-perfect blend of escapist fun and thought-provoking commentary, ensemble drama, comic relief, daredevil action and senses-shattering spectacle. -- Minneapolis Star-Tribune

* The movie delivers the goods on both narrative and razzle-dazzle action levels. -- Miami Herald

* An excessively derivative what-if rehash of themes and interactions that came before, most of the characters lesser copies and even caricatures of the originals. -- Associated Press

* The production gives the impression of a massive machine cranked up for two hours of full output; it efficiently delivers what it's built to do, but without style or personality. -- The Hollywood Reporter

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