PLOT A psychic revisits the childhood home where she developed her gift.
CAST Lin Shaye, Angus Sampson, Leigh Whannell
RATED PG-13 (gruesome imagery)
BOTTOM LINE The lazy horror franchise steps up its game with some clever effects and a fairly compelling story.
Four films in, the horror franchise “Insidious” deserves recognition for its unusual star, Lin Shaye. It isn’t the character she plays that’s noteworthy — a psychic named Elise — but her age.
Shaye is 74, which makes Elise Rainier at least thrice the age of the baby sitters and camp counselors who traditionally serve as horror-film heroines. Elise is allowed more dignity than those girls: She never has to seduce the audience by taking a shower, or run from a killer wearing only her bikini. Shaye’s Elise is as much the hunter as the hunted, a dogged ghostbuster who’s always first through the darkened doorway with a flashlight. Good for Shaye, enjoying a terrific run after a 40-year film career. And good for this teen-targeted franchise for casting her time and again.
If only the movies were just a little better. The early installments felt awfully slapdash, with crude effects and even cruder acting (even though co-creators James Wan and Leigh Whannell were established professionals who had given us the “Saw” franchise). “Insidious: The Last Key” is a step up, boasting some clever scares from new director Adam Robitel, a reasonably impressive demon-creature and, finally, something like an original story from Whannell.
In this origin-story episode, Elise — Shaye plays her like a more earnest, less puckish version of Angela Lansbury in “Murder, She Wrote” — is called upon to cleanse her own childhood home in New Mexico where she developed her psychic gifts. It’s also where she endured years of abuse from her father (Josh Stewart). As Elise tries to help the home’s new owner, a roughneck named Garza (Kirk Acevedo), she will discover a secret about her family she never knew.
That’s relatively deep stuff for this franchise, which until now has been content to copy 1982’s “Poltergeist.” The execution can be a bit clumsy, especially the attempts at comic relief by Elise’s assistants, the swaggering Tucker (Angus Sampson) and nerdy Specks (Whannell himself). The best creation here is a demon whose fingers, shaped like skeleton keys, can lock the scream in your throat.
The title of “Insidious: The Last Key” suggests an end to the franchise, which would be too bad. It feels like it’s just getting started.
The door is about to open as “Insidious: The Last Key” arrives in theaters Friday. Here are four other “Key” movies from Hollywood’s past.
THE GLASS KEY (1942) Following the success of the film noir “This Gun for Hire,” Alan Ladd and Veronica Lake were immediately reteamed for this political drama that cemented their status as a potent screen couple.
KEY LARGO (1948) Humphrey Bogart and Lauren Bacall paired up for the fourth and last time in this thriller about hotel patrons being held hostage by a gangster (Edward G. Robinson) and his gang. Claire Trevor won an Oscar for her performance as a washed-up, alcoholic singer.
KEY TO THE CITY (1950) Former real-life paramours Clark Gable and Loretta Young sparked on screen in this romcom about two mayors who meet at a political convention and get mixed up in a series of scandalous adventures.
THE SKELETON KEY (2005) Kate Hudson had a spooky time down on the bayou as a hospice worker who encounters all sorts of creepy doings while caring for an invalid at a Louisiana plantation.
— Daniel Bubbeo