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'Overboard' review: Remake of '80s comedy falls flat

Eugenio Derbez and Anna Faris star in the

Eugenio Derbez and Anna Faris star in the remake of "Overboard." Photo Credit: Metro-Goldwyn-Mayer Pictures / Pantelion Films/Diyah Pera

PLOT A debauched Mexican billionaire falls off his yacht, wakes with amnesia and is convinced by the woman who cleans his boat that he’s her working-class husband in this reboot of the 1987 Goldie Hawn-Kurt Russell comedy.

CAST Anna Faris, Eugenio Derbez

RATED PG-13 (suggestive material, partial nudity and some language)


BOTTOM LINE Stick with the original

The main takeaway from the remake of the 1987 rom-com "Overboard" is simply: Why? The whole endeavor is an exercise in trying to do too many things — rehash a nostalgic property, propel Mexican film star Eugenio Derbez to mainstream stardom, revive Anna Faris’ career — but it never actually manages to be a good movie.

The trend in Hollywood seems to be to take all of the most Problematic-with-a-capital-P comedies from the ’80s, and then gender-swap them so the power dynamic flips. Ghostbusters who are ladies? Sure. Easy enough swap. But trying to gender-swap a story that is so intertwined with themes of domesticity, class, labor, predation, manipulation and oh, yeah, kidnapping, is a far more complicated task. One which the writers and directors of "Overboard," Bob Fisher and Rob Greenberg, haven’t executed with much thought or skill.

The one thing they do get right in the remake is to liken the outlandish amnesia tale to the melodramatic telenovelas that are constantly watched in the kitchen of the pizza shop where Kate (Faris), a single mom of three girls, delivers pizzas. Her second job is cleaning carpets, which is how she encounters the vain, wealthy party boy Leonardo (Derbez) — the son of the third-richest man in the world — yachting off the coast of Oregon. The two get into a spat, Kate is tossed in the sea with her carpet steamer, and she’s got enough motivation to enact some revenge when Leonardo washes ashore with no memory of who he is.

The overextended single mother decides to head to the psych ward and pick up some household help, telling the doctors Leonardo is her husband. She puts him to work cooking, cleaning and working construction while she studies for her nursing exam. We all know the story from the original film: With some hard but fulfilling work, and exposure to parenting, rich brats can be reformed into good, middle-class citizens.

The idea to flip the gender dynamic and dull some of the creepy vibes of the original — wherein our hunky hero kidnaps a woman with a head injury and presses her into wifely duties — just doesn’t quite work when the script maintains a lot of seriously retrograde gender-based humor. Why maintain the sexism during the overhaul? Everything that actually works in the "Overboard" reboot has less to do with gender and more to do with race, as a majority of the characters are Latino, of different classes and backgrounds, and the discussion of their experiences chasing the American dream or not, is rich with potential for real cultural commentary.


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