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Jackson collaborators defend new album

Michael Jackson spent the last two years of his life plotting his musical comeback. Besides a spectacular, record-breaking concert series planned for London, he was also tapping the hottest producers and biggest names for an album he hoped would help restore the luster to his spectacular yet troubled career.

"He wanted to give the world a gift. He didn't want the world to depend on 'Thriller,' or 'Bad' or 'Off the Wall,' " said Theron "Neff-U" Feemster, one of the last producers to work with Jackson. "He wanted to give them something new and fresh, and something they could hold and remember forever."

Jackson didn't live to see his dream come to fruition, but with help from Feemster, the singer's estate and several other collaborators, another Jackson album has been crafted for his fans.

"Michael," to be released on Tuesday, contains 10 songs, most of which Jackson was working on when he died in June 2009 at age 50. The tracks were at different stages of completion, but producers like longtime Jackson collaborator Teddy Riley, Grammy-winner Tricky Stewart and rocker Lenny Kravitz worked over the last year to put the finishing touches on an album they believe Jackson would have been proud to call his own.

"I know he stood behind it, so I'm cool with what I did," Kravitz said. "I was proud to put it out and knew that he'd be all over it, that he'd be really with it."

Yet some are questioning whether "Michael" should be considered a true Jackson album since the King of Pop - a notoriously meticulous creator who labored over his works until he thought they were as perfect as they could be - never put his stamp of approval on it.

When the single "Breaking News" was previewed for fans on, his three nephews publicly assailed the song, a condemnation of the media, and said that the voice featured on the track was not Jackson's. This led Riley, former manager Frank Dileo and others to come out and vouch for the track's authenticity.

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"I don't think that it's fair for anyone to say it without any proof. You have no proof," Riley said in a recent interview, adding that the producers "took it to the next level" and hired three forensic musicologists in defense of the album.

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