TODAY'S PAPER
51° Good Afternoon
51° Good Afternoon
EntertainmentMusic

Review: Adele @ Beacon Theatre, 5.19.11

Adele performs onstage during 2009 VH1 Divas at

Adele performs onstage during 2009 VH1 Divas at Brooklyn Academy of Music. (Sept. 17, 2009) Photo Credit: Getty Images

Adele is a different kind of diva.

Sure, she has the voice to compete with anyone around – the power and control to match anything from Whitney and Mariah in their prime, the effortless range and clarity of Celine. What sets her apart may also be what makes her so emblematic of these times – restraint.

You won't catch Adele singing 10 notes when one will do and you won't find her holding a note to show that she can. On her “21” (XL/Columbia) album, which has already logged eight weeks at the top of the charts this year, Adele takes the directness of the blues and '60s soul and adds some British refinement and contemporary gloss to suit her, but there isn't anything extravagant aside from her luxurious voice.

She extended that potent austerity to her sterling, 90-minute performance at the Beacon Theatre last night, belting out her tightly wound tales of love gone bad next to warmhearted covers of Bob Dylan's “Make You Feel My Love” and The Cure's “Lovesong.”

It's telling that Adele has to turn to other songwriters to express love well, while she crafts songs of her own pain so beautifully, but why mess with multiplatinum, Grammy-winning success, right?

Given the elegant restraint of Adele's music, the 23-year-old does need some outlet for release, which comes in her endearingly chatty stage discussions.

If her songs like the stunningly simple lament “Take It All” are surgical strikes on the heart, her audience interaction is a dizzyingly scattershot approach that is marvelously unscripted. After the ballad, she explains how singing it still makes her sad and how the breakup still affects her, which drew screams of support, as well as commentary that Adele walked over to a fan to hear more clearly and then repeated for the crowd. “You're right,” she said, laughing. “He is a [expletive] loser!”

She then revealed that the ex, who inspired the bulk of “21” has now contacted her. “I wonder why,” the year's biggest star on both sides of the Atlantic, says coyly, before letting loose another curse word.

Exclusive subscription offer

Newsday covers the stories that matter most to Long Islanders. We dig deep to uncover the facts, hold the powerful in check and keep a watchful eye on Long Island.

Your digital subscription, starting at $1, supports local journalism vital to the community.

SUBSCRIBE NOW

Of course, we should probably thank that guy, even if Adele can't. He inspired some extraordinary songs, which Adele made even more special during her encore, showing range.

She started the tender ballad “Someone Like You” with only her acoustic guitar for accompaniment. “I heard that you're settled down, that you found a girl and you're married now,” she sang, letting the stark words hang in the air with her pained delivery. “I heard that your dreams came true. Guess she gave you things I didn't give to you.”
Adele followed that with the musical flipside, her No. 1 smash “Rolling in the Deep,” where her five-piece backing band and two backup singers get a chance to flex their soul-revue muscles.

As her most recognizable line so far, the simple lament “We could've had it all,” resonates over the fiery groove, it seems only fair that it will be the key to her superstar success. Adele's gonna get it all back and more.

Adele plays United Palace on Saturday.

SETLIST: Hometown Glory / I'll Be Waiting / Don't You Remember / Turning Tables / Set Fire to the Rain / If It Hadn't Been for Love / My Same / Take It All / Rumour Has It / Right As Rain / One And Only / Lovesong / Chasing Pavements / Make You Feel My Love // ENCORE: Someone Like You / Rolling in the Deep

Comments

We're revamping our Comments section. Learn more and share your input.

More Entertainment