Arthur Laurents, the director, playwright and screenwriter who wrote such enduring stage musicals as "West Side Story" and "Gypsy," as well as the movie classics "Rope" and "The Way We Were," died yesterday. He was 93.
Laurents died at his home in Manhattan from complications of pneumonia, said his agent, Jonathan Lomma.
Laurents had an extensive career in radio and in Hollywood, but it was on Broadway where he had his biggest successes -- particularly with two musicals many consider to be among the finest ever written. And Laurents provided the book -- or story -- for both of them.
"West Side Story," which opened on Broadway in 1957, transformed Shakespeare's "Romeo and Juliet" into musical theater. It had pulsating, jazz-flecked music by Leonard Bernstein and galvanizing direction and choreography by Jerome Robbins.
Robbins also directed and choreographed "Gypsy," based on the memoirs of stripper Gypsy Rose Lee. The 1959 musical, with a score by Jule Styne and Stephen Sondheim, told the story of Rose, a domineering stage mother who pushed her daughter into show business. As Rose, Ethel Merman had the greatest triumph of her career.
Laurents was back as director for the 2008 Broadway version, with Patti LuPone as Rose. The production won Tonys for LuPone and two featured, or supporting, performers. Laurents was nominated for best director but did not win.
In 2009, Laurents directed a revised version of "West Side Story," giving the show a new dose of realism by having much of the dialogue in Spanish.
His credits as a stage director also include "I Can Get It For You Wholesale," best remembered as the musical that introduced a 19-year-old Barbra Streisand to Broadway in 1962, and "La Cage Aux Folles" (1983), the smash Jerry Herman musical that ran for four years.
Laurents was born in Brooklyn, the son of an attorney. He attended Cornell University and after graduation began writing radio plays. His experiences in World War II led to his first Broadway play, "Home of the Brave."
In Hollywood after the war, Laurents wrote or co-wrote scripts for such films as "Rope" (1948), Alfred Hitchcock's masterful take on the Leopold-Loeb murder case.;
Laurents returned to the New York theater in 1950 with "The Bird Cage," a drama about a nightclub owner.Two years later, Laurents had one of his biggest successes, "The Time of the Cuckoo," which provided Shirley Booth with one of her best stage roles and was later made into the movie "Summertime," starring Katharine Hepburn.
In 1966, Laurents reworked "Cuckoo" as a musical. Retitled "Do I Hear A Waltz?", it had music by Richard Rodgers and lyrics by Sondheim. The following year, he wrote the book for the musical "Hallelujah, Baby!" The show, starring Leslie Uggams and with a score by Styne, Betty Comden and Adolph Green, won the best-musical Tony Award in 1968.
Laurents' biggest film successes occurred in the 1970s, first as screenwriter for "The Way We Were," the 1973 movie starring Streisand and Robert Redford who played lovers pulled apart by the ideological conflicts of the McCarthy period of the late 1940s and '50s.
He also wrote the script for "The Turning Point," a 1977 film starring Shirley MacLaine and Anne Bancroft as two former dancers still enmeshed in a personal rivalry. Other movies with screenplays by Laurents include "Anastasia" (1956) and the unsuccessful "Bonjour Tristesse" (1958), based on the novel by Francoise Sagan.