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ESPN's interview of Frank Gifford Monday night, during which he choked up over the death of his old pal Don Meredith, was a powerful TV moment.

It also was one of several reminders this past week of the interesting (and underappreciated) roles Gifford, 80, has played in both football and sports TV history. Some examples:

 

Telling it like it is

ESPN's look at how "Monday Night Football'' reported John Lennon's death 30 years ago Wednesday featured a fascinating off-the-air exchange between Gifford and Howard Cosell.

The former jock had to convince the hard-edged journalist he must share the news, even with the game on the line.

Cosell: "Fellas, I just don't know. I'd like your opinion. I can't see this game situation allowing for that news flash, can you?''

Gifford: "Absolutely, I can see it.''

Cosell: "You can?''

Gifford: "You betcha. If we know it, we've got to do it . . . Don't hang on this. It's a tragic moment. This is going to shake up the whole world.''

Cosell: "All right. I will get it in.''

 

Lombardi moment

One of the nuggets in the new HBO documentary "Lombardi'' recalls how he reached out to Gifford and Charlie Conerly as a Giants assistant for advice on how to relate to pros.

They helped, and the rest is coaching history.

"When I first knew him he wasn't the Lombardi people are honoring now," Gifford said Tuesday. "He was just a good old boy who hung out with us.''

The highlight of the documentary, produced with NFL Films, is some I-can't-believe-they-have-that footage, including audio of sideline strategy before the winning touchdown in the Ice Bowl.

The HBO documentary follows the opening of a Broadway show about Lombardi that opened in October, and precedes a film starring Robert DeNiro slated for 2012.

It's Lombardi-mania! "When we were in the barren wasteland of Green Bay ,'' former Packers guard Jerry Kramer told me, "I really don't think anyone anticipated we would be having a Lombardi renaissance in 2010.''

 

Dandy television

Meredith might never have landed on "Monday Night Football,'' if not for an interview Gifford coaxed the reluctant losing quarterback to grant after the Ice Bowl.

"I went up to him and said, 'You've got to talk; talk to me,''' Gifford said.

"We had a camera crew there and he was so moving and so right from the heart. He said, 'Dadgum it, I let all these guys down.' It came across so human and so real, the media went bonkers over it.''

The interview made it clear Meredith had a future on TV, and began a long partnership with Gifford.

Seventeen years later, the two friends starred in a fund-raising stage production of "The Odd Couple'' in Santa Fe.

"I was Felix and he was Oscar,'' Gifford said. "I was much more of a Felix. He could never have been Felix. He was very flamboyant and outgoing."

Meredith told Time magazine during the show's run, "He's so cute in his little apron."

 

 

Great headline for headless analyst

It was an emotional week for ESPN's Lee Corso, capped by him breaking down during an awards show Thursday in which he was honored for contributions to college football.

But it began last Saturday, when two men allegedly pilfered the oversized reproduction of his head used on "College GameDay'' from a set in Corvallis, Ore.

By Monday, police had recovered the head, but Corso was not aware it had been missing until informed by an Orlando Sentinel reporter at a banquet that night.

That led to the sports headline of the year in the Sentinel:

"Police find Lee Corso's head; ESPN analyst unaware it was missing''

 

 

Marcia Brady flashback

In "How Do You Know,'' a romantic comedy due out Friday with Reese Witherspoon, Owen Wilson, Paul Rudd and Jack Nicholson, Ms. Witherspoon plays a national team softball star and Mr. Wilson a pitcher for the Nationals. Both are their reliably adorable selves. But how realistic are their portrayals of elite athletes?

I have no idea, because the writers and director (perhaps wisely) severely limit anything resembling sports action involving either one of them.

But there is a moment during a softball practice in which Witherspoon's character is distracted and gets hit in the face with a softball thrown by a teammate.

Naturally, that immediately generated a flashback to one of the most traumatic images of my adolescence.

Remember? A football. An errant throw. Marcia Brady's nose.

It still hurts just thinking about it.

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