Cormac McCarthy, author of 'The Road,' 'No Country For Old Men,' dies at 89

Cormac McCarthy, the Pulitzer Prize-winning novelist whose dense and brittle prose took readers from the southern Appalachians to the desert Southwest in such novels as “The Road,” “Blood Meridian” and “All the Pretty Horses,” died Tuesday. He was 89.

The writer died of natural causes in Santa Fe, New Mexico, publisher Alfred A. Knopf said.

McCarthy, raised in Knoxville, Tennessee, was compared to William Faulkner for his Old Testament style and rural settings. His themes, like Faulkner’s, often were bleak and violent and dramatized how the past overwhelmed the present. Across stark and forbidding landscapes and rundown border communities, he placed drifters, thieves, prostitutes and old, broken men, all unable to escape fates determined for them well before they were born. As the doomed John Grady Cole of McCarthy’s celebrated “Border” trilogy would learn, dreams of a better life were only dreams, and falling in love an act of folly.

McCarthy’s own story was one of belated, and continuing, achievement and popularity. Little known to the public at age 60, he would become one of the country’s most honored and successful writers despite rarely talking to the press. He broke through commercially in 1992 with “All the Pretty Horses” and over the next 15 years won the National Book Award and the Pulitzer, was a guest on Oprah Winfrey’s talk show and saw his novel “No Country for Old Men” adapted by the Coen brothers into an Oscar-winning movie. Fans of the Coens would discover that the film’s terse, absurdist dialogue, so characteristic of the brothers’ work, was lifted straight from the novel.

“The Road,” his stark tale of a father and son who roam a ravaged landscape, brought him his widest audience and highest acclaim. It won the 2007 Pulitzer Prize for fiction and was selected by Winfrey for her book club. In his Winfrey interview, McCarthy said that while typically he didn't know what generates the ideas for his books, he could trace “The Road” to a trip he took with his young son to El Paso, Texas, early in the decade. Standing at the window of a hotel in the middle of the night as his son slept nearby, he started to imagine what El Paso might look like 50 or 100 years in the future.

“I just had this image of these fires up on the hill … and I thought a lot about my little boy,” he said.

“You would like for the people that would appreciate the book to read it. But, as far as many, many people reading it, so what?” he said.

“I don’t pretend to understand women,” he told Winfrey.

His first novel, “The Orchard Keeper” — written in Chicago while he was working as an auto mechanic — was published by Random House in 1965. His editor was Albert Erskine, Faulkner's longtime editor.

Other novels include “Outer Dark,” published in 1968; “Child of God” in 1973; “Suttree” in 1979, and "Blood Meridian" in 1985. His “Border Trilogy” books were set in the Southwest along the border with Mexico: “All the Pretty Horses” (1992) — a National Book Award winner that was turned into a feature film; “The Crossing” (1994), and “Cities of the Plain” (1998).

McCarthy said he was always lucky. He recalled living in a shack in Tennessee and running out of toothpaste, then going out and finding a toothpaste sample in the mailbox.

“That's the way my life has been. Just when things were really, really bleak, something would happen,” said McCarthy, who won a MacArthur Fellowship — one of the so-called “genius grants” — in 1981.

The Southwestern Writers Collection at Texas State University-San Marcos purchased his archives in 2008, including correspondence, notes, drafts, proofs of 11 novels, a draft of an unfinished novel and materials related to a play and four screenplays.

His Knoxville boyhood home, long abandoned and overgrown, was destroyed by fire in 2009.