Robert De Niro, Paul Dano both shine in 'Being Flynn'

Robert De Niro, left, stars as "Jonathan Flynn" and Julianne Moore stars as "Jody Flynn" in Paul Weitz's "Being Flynn," a Focus Features release. (David Lee/Courtesy Focus Features/MCT) Credit: MCT/HANDOUT
For obvious reasons, "Being Flynn" could not retain the vulgar title of the 2004 memoir on which it's based. Too bad, because its salty, evocative phrase rings out with humor, despair and truth, qualities all on display in this insightful and finely acted film.
Damaged, artistic, hiding his problems under hip clothes and a who-cares hairdo, Nick is looking for meaning and thinks he's found it in Denise, a no-nonsense girl who works at the Harbor Street Inn homeless shelter. (Olivia Thirlby plays her in an effective, economical performance). Nick gets a job there, too, and loves it, at least until Jonathan checks in as a guest. Now Nick is forced to face his genetic origins: a half-insane vagrant and -- even worse -- a failed writer.
Told almost evenly though both Flynns' eyes, "Being Flynn" takes a while to find its footing, striking an initial whimsical tone that eventually fades. It's also guilty of some glossing-over: Nick's mother, for instance, is portrayed far more glowingly than in the book. But writer-director Paul Weitz ("About a Boy") digs diligently for emotional truths and makes the most of his excellent cast. De Niro convincingly portrays a proud man sliding into homelessness, but it's Dano -- underused since his bravura performance in "There Will Be Blood" -- who gives this film its fragile and steadily strengthening heart.
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