Showtime's 'Ray Donovan' is a minor disappointment: Review
Liev Schreiber, right, is "L.A.'s best professional fixer" for the rich and famous, as created by "Southland" producers and "Sopranos" directors. Credit: Showtime
Hey! Liev Schreiber! Jon Voight! Peter Jacobson! Elliott Gould! Ann Biderman -- who wrote and created and is one heck of a smart writer! What's not to like about Showtime's new "Ray Donovan," opening at a TV set near you this Sunday night at 10?
Turns out, "Ray Donovan."
My review:
This could all be a matter of taste (Boston mob? Meh), or just one of those "been there, seen that" reactions after watching an awful lot of series with emotionally layered leads who wrestle with their demons, past, spouse, families and existential isolation in the cold, cruel universe. (Right: the Don Draper crowd.)
This could also be a case of the pieces not all quite fitting together, or plot tangents that are just a little too convenient, or ridiculous. (An actor who cops to being with a dead woman instead of a transvestite because it's better for his movie opening? Whatever.)
Or maybe it's just Schreiber's character. Ray's the strong, silent type -- quite possibly a little too silent. There are a lot of wide open spaces with this guy, who is clearly a practitioner of deeds over words. Still, a few more words would be helpful, if only to establish what's going on inside, if anything.
Indisputably a wonderful actor, Schreiber fills the screen with stubbled menace and has created a potentially interesting protagonist. The operative word here, however, is "potentially." "Donovan" ultimately succeeds on the little things -- some very good performances by some very good actors and sharp dialogue by Biderman, who knows how to write Tough Guy talk with the best of them. You may like "Ray Donovan" -- if not, don't say you weren't warned.
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